SET LIST:

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D1
Audience + PA-music
Intro: "The Whole of the Moon": The Waterboys
Sunday Bloody Sunday  
New Year's Day 
Bad + snippet "Heroes"
Pride (In the Name of Love) 
Where the Streets Have No Name 
Still Haven't Found What I'm Looking For  
With or Without You 
Bullet the Blue Sky 
Running to Stand Still 
Red Hill Mining Town 
In God's Country 
Trip Through Your Wires & "Spanish Eyes" quoting

D2
One Tree Hill 
Exit 
Mothers of the Disappeared
Bono speech/Audience/miss Syria
Miss Sarajevo 
Beautiful Day
Elevation 
Vertigo
Ultraviolet (Light My Way) 
One 
The Little Things That Give You Away 
Outro + audience
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Gear: Binaural OKMII-Rock > A3 filter: Bass Roll-off settings @ -20dB > DAT Sony TCD-D100 @ 44.1 khz -20dB AGC in LP > 125' Audio Pro Maxell DAT-tape.
Taper: Massygo 
Venue: Estadi Olímpic Lluís Companys 
Location: Spot B, a bit of center of the deadcenter(spot A). Next to the PA. 
I was in front of left light-& camera tower when facing the South stage.
Wind: yes but it can't be heard, was a cool breeze in the hot arena.
Direction: audience facing South
Recording lenght: 148':51":540ms
Produced lenght: 139':26":661ms

Artwork: Feel free to create something nice

Tracking & Toccing DAT-Tape: Sony DAT DTC 670
Transfer & Linage: Sony DAT DTC670 > Dig i/o cableconnection> i/o Creative Labs X-fi HD(SBX) > CD-Wave > wav@32khz/16bit > Flacfrontend

Corrections/fades: CoolEdit 2000 

Rules & Rights: DON'T sell this recording!!! 
Please do not encode this Flac to MP3 or lossy audio-format for sharing it on low-class servers. 
May be use to create matrix's & DVD's, but ask/tell me when you are planning this. 
Respect the taper's wish and just share & trade it. 

Notes: 
A) Staffmembers might sure be blind, not seeing me with a recorder & mike- mount on my back.
I normally mount the mikes on the fences, not this time and there are 2 reasons. 
1. In outside venues staffmembers/security can see through the small holes in those fences can 
easy see the wires. This technique is much more handy when you are in the front row. (like my Collogne 2015 recording).
Now the OKM-mikes were mounted on my shoulders underneath my t-shirt. 
2. I did notice some peoples do like to smash on the metal of the fences, which would give some unwanted noises 
in the recording.

B) Because of the echoing in the stadium, some crackling sometimes appears during "New-Yearsday", music 
just went a bit too loud with the echoing and the result is crackling in the mikes and can't be fixed. 

C) This was recorded together with some support of my wife, she helped me to wire me up allong my back 
to my belt. She was next to me on the left and sometimes... you hear her wispering gently. 
I know she is not used to do this kind of 'job' but now when she heard the result she 
understood to keep quiet. Her previous concert was August 5th 2001, Antwerp. 
We had the 13th birthday of our mariage on July 17th so that is the reason why she was with me. 

D) My OKM-rock is now 18 years old, and is still doing it's job. Only the in-ear windfilters are almost dead 
and meanwhile i did find some new ones. Hope they make it untill the next concerts. 

Anyway peoples, I hope you enjoy this recording.